Zaha maxi dress

This silhouette draws on eveningwear from the late 1990s, when black stopped being a backdrop and became a language of form. Here, there is an echo of editorial frames from ateliers and salons, where fabric was meant to speak first, before the model moved. Asymmetry, sheen and precisely placed sparkle create an atmosphere that recalls the world of old premieres, galleries and late-night hotel foyers. It is a composed aesthetic, but not a cold one; built on the tension between discipline and softness.